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Georges Perec
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Mireille Ribière, ‘Art citationnel et romanesque dans La Disparition de Georges Perec’, in H. Salceda et J.-J. Thomas (ed.) Le Pied de la lettre, New Orleans, Presses Universitaires du Nouveau Monde, 2010.
ABSTRACT: This article devoted to Perec’s 300-page novel, La Disparition (1969) written without using the letter E, aims to demonstrate that playful quotations, borrowings and cultural references, notably to Lacan’s theory of the ‘prime signifier’, are used not only to enhance the semantic and symbolic value of the missing letter, but to stimulate the narrative and generate anecdotes.
Other articles about La Disparition:
- ‘La postérité de La Disparition’ (2006)
- ‘La Disparition / A Void: deux temps, deux histoires?’ (2000) or ‘La Disparition et sa traduction par Gilbert Adair: deux textes, une même œuvre?’ (2000)
- ‘“Maudit bic ou la maldiction” dans La Disparition de Georges Perec’ (1990)
- ‘Contrainte et effervescence dans La Disparition de Georges Perec’ (1987)
For further details about these and other publications about Georges Perec, see Publications as author and as editor.
Mireille Ribière, ‘Georges Perec/Joachim Schmid: Tentative de description d’un projet de livre d’artistes’, suivi de ‘Entretien avec Joachim Schmid (Arles, juillet 2008)’, in J-L. Joly (ed.), Perec et l’art contemporain, (Cahiers Georges Perec 10), Paris, Le Castor Astral, 2010.
ABSTRACT: Photographer/Artist Joachim Schmid and Georges Perec never met, yet the echos between their works are overwhelming, as the catalogue of this imaginary joint exhibition suggests.
Check Joachim Schmid’s latest publications
Other articles about photography and the visual arts:
- ‘L’informe de la grille dans les arts visuels’ (2009)
- ‘Cinéma : les projets inaboutis de Georges Perec’ (2006)
- ‘Maus. A Survivor’s Tale by Art Spiegelman’ (2001)
- ‘La photographie dans La Clôture de Georges Perec’ (1998)
For further details about these and other publications about the visual arts, see Publications as author and as editor.