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mireilleribière

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    • Apophenia – a collection
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    • finding one’s feet
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    • BUS-SPOTTING…
  • Research
    • on Georges Perec
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  • News
  • About
  • Exhibitions
  • Publications
  • Apophenia – a collection
  • Menu Item
  • Apophenia – a collection
  • Menu Item
  • Menu Item
  • Menu Item
  • Menu Item
  • Apophenia – a collection
  • creative
    • LIFE END-GAMES
    • finding one’s feet
    • Turn & Turn About
    • Stages of a Passage
    • A Book of Margins
    • Postcards for Perec
    • Portals and Layers
    • The Hope Project
    • To The Trees
    • On Standby
    • Greetings from the Brink
    • Of Riches & Rags
    • 25 mornings, video
    • England’s Dreaming
    • BUS-SPOTTING…
    • Catching the Light
    • Columbus Day
  • research
    • on Georges Perec
    • on Roland Barthes
    • on the Visual Arts
  • translation
    • The Phantom of the Opera
CREATIVE
Work Page
Photobook cover: To the Trees
Work Page
Photobook cover: To the Trees

To The Trees


To The Trees is both a celebration of trees and an invitation to appreciate woodland, enjoy it, respect it and protect it.

The photographs featured in this paper sculpture document woodland situated in Suffolk (UK), in an area of ‘ancient countryside’ (Oliver Rackham) that is now threatened by creeping suburbanization.

To The Trees includes 54 photographs printed on translucent paper and mounted on card. These offer differing perspectives of a wood made up of centuries-old oak, beech, birch, yew, holly and sweet chestnut. On one side: a riot of light, colours, shapes and textures, as seen from among the trees – looking up, around or simply down at the debris, the flowers, the fungi. On the other: a moody picture of the trees at dawn, at dusk, at night, and an exploration of the underwood as a rich, potent, complex and fecund environment.

Thanks to the use of thin translucent paper, the images partially merge.  Depending on which side you approach the artefact, the printed photographs appear either vivid or more faint, almost as memories. The use of thin paper is also meant to highlight the fragility of the threatened environment. When selecting and sequencing the photographs, it was essential to avoid the cliché of ‘nature through the seasons’. Instead, the emphasis is on contrast, complexity and diversity.

Photographs, design and printing: Mireille Ribière
H 30 cm x L 80 cm

Publications

 FIBER ART NOW magazine, Summer 2023: ‘PAPER MADE’. 

 HOPE – Pandora Revisited, Carol Lawrence (ed.), Eye Wild Books, 2021.

Exhibition

‘HOPE – Pandora Revisited:,  Aldeburgh Artists’ Collective, South Lookout Gallery, Aldeburgh, Suffolk, United Kingdom (13 August – 3 September 2021).

 

© 2020 Mireille Ribière